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・ Zhu Bajie
・ Zhu Bao
・ Zhu Baojie
・ Zhu Biao
・ Zhu Binhou
・ Zhu Bo
・ Zhu Can
・ Zhu Changfang
・ Zhu Changqing
・ Zhu Chen
・ Zhu Chenghu
・ Zhu Chenhao
・ Zhu Ci
・ Zhu Cong
・ Zhu Cong (footballer)
Zhu Dake
・ Zhu Dawei
・ Zhu Dawei (baseball)
・ Zhu Dawei (historian)
・ Zhu De
・ Zhu De's Former Residence
・ Zhu Derun
・ Zhu Dexi
・ Zhu Di (scientist)
・ Zhu fan zhi
・ Zhu Fang
・ Zhu Fangyu
・ Zhu Fatai
・ Zhu Faya
・ Zhu Fu


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Zhu Dake : ウィキペディア英語版
Zhu Dake

Zhu Dake (; born in 1957) is a Chinese scholar, cultural critic and essayist. He was born in Shanghai and his family was originally from Wuping, Fujian Province. He was educated in the department of Chinese language of East China Normal University and then was awarded a PhD in University of Technology, Sydney in Australia. He has also been a visiting scholar at the University of Sydney.〔(''Intro of Zhu Dake'' (朱大可简介) ), written by Wei Wei (魏巍), 26 July 2009.〕
Rising to prominence in the mid-1980s, he was an important spokesman of the avant-garde culture. As a professor at Tongji University, working in its graduate school of cultural criticism, he is now engaged in the study and criticism of Chinese culture. He is considered adept in expressing his rational knowledge and determination toward the maintenance and development of the current culture with his advanced and sharp thoughts as well as his unique style of language.〔''A Feast for Eyes and Ears'' (眼与耳的盛宴), written by Zhu Dake (朱大可), Fujian People's Publishing House (福建人民出版社), page 1, May 2012〕 He was listed in "50 Top Chinese Influencing the World’s Future" by the weekly magazine Phoenix Life.〔''Phoenix Life, September 2006 (凤凰生活, 2006年9月刊)''〕
==Life==
Zhu Dake was born to an intellectual family in Shanghai. He lived in the Taiyuan Housing Estate which had been the centre of the French Concession till 1977, spending his lonely childhood and early youth reading books and playing the piano, an instrument he began at age seven.〔(''Zhu Dake is watching the world in the marginalised village'' (朱大可,在边缘人的村庄,旁观世界) ), ''Xiaoxiang Morning News'', written by Xu Changyun (徐长云), 11 May 2010〕 By the time he was sixteen years old, he had read and studied War and Peace, Dream of the Red Chamber, some works of Karl Marx and so on.〔(''Zhu Dake: Silence is my last line'' (朱大可:沉默是我的最后底线) ), ''QQ.com'', written by Liu Liu (刘溜), 4 May 2009, para 5 and para 6〕
He worked as a locksmith for three years after leaving middle school and technical school. In 1979, though his dream was to study at the Shanghai Conservatory of Music, he was admitted to East China Normal University. He spent most of his time reading in the public library outside the school.〔(''Zhu Dake: My marriage with Literature is already a gone case'' (朱大可:我跟文学的离婚以无可挽回) ), ''People's Daily'', written by Gu Yun (孤云), 1 September 2003, para 9 and para 10〕 Graduating in 1983, he was assigned to teach College Chinese at the Shanghai University of Finance and Economics. In 1985, he attracted interest for the first time in the field literary theory with The Worried Generation and Their City Dream (焦灼的一代和城市梦). In 1986, he wrote an article entitled "The Drawback of Xie Jin's Model"〔(''Contemporary film theory in China'' ). ''Screening The Past''. 25 March 1998.〕 (谢晋电影模式的缺陷) which was published in Wen Wei Po (文汇报)and which created quite a stir at home and abroad because he criticized the ways of filmmaking at that time. In the early 1990s, besides writing, he also broadcast music programs, organized painting exhibitions and worked on behavior art.〔(''Zhu Dake: Silence is my last line'' (朱大可:沉默是我的最后底线) ), ''QQ.com'', written by Liu Liu (刘溜), 4 May 2009, para 15〕
Starting in 1994, Zhu spent 8 years in Australia,. During his stay in Australia, he established a Chinese website called Australia News (澳大利亚新闻网), which was renamed Pioneer of Culture (文化先锋). In 2002, upon his arrival, Zhu announced that he and literature had divorced, he thought that he could't get rid of the solitariness and desperation by literature. After that, Zhu turned into a scholar, a critic. He intervened in the field of cultural criticism, using a completely new style of writing. With the publication of a series of essays, including: Escapee’s Dossiers, The Festival of Liumang, Review of the 21st Century Chinese Culture, Zhu caused a storm in the intellectuals.〔(''Zhu Dake: Slience is my last line'' (朱大可:沉默是我最后的底线) ), ''Douban.com''. 18 June 2009〕
In September 2006, along with Li Ao, Yu Qiuyu, Wang Xiaohui (王小慧) and Cheng Bao (程抱一), Zhu, as a representative of Chinese culture, was elected in the list of Top 50 Chinese who will affect the future of world. (As selected by the magazine Phoenix Life).〔(''Tongji University Newspapers'' (同济报) ), ''News.Tongji.edu.cn'' 20 September 2006〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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